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East Of The Fault Line

by David Singer

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1.
Amaranthine 04:16
You won’t die from frustration But it will leave a mark in tender places You won’t even remember The sickening parts In time… You’ll pick up some habits from your high school friends You’ll sit in the attic planning crimes It’s set up this way by design To keep you guessing What’s the meaning of something Amaranthine? Never fading, never draining to nothing Amaranthine…. You make a clarification To drunken remarks and social graces And you don’t even remember The holes in your heart In time… You end obsessing over high school friends It’s sort of depressing, but benign It’s set up this way by design To keep you guessing What’s the meaning of something Amaranthine? Never fading, never draining to nothing Amaranthine I learned my lesson - Love is thicker than anger and liquor combined Cause it never fades, it only turns into something Amaranthine But it’s all just folderol A way to occupy your mind Each prayer’s a casting call You can’t fight city hall I think the good Lord just resigned
2.
You send me secret messages With your tender accusations I comb through every consonant In our coded conversations I listen very carefully For the end of every sentence Then drop a salty swollen tear Evidence of my repentance I can show you how sorry I am Please excuse my command overhead I knew what you meant, I’m afraid I forgot what you said I panic and forget my part I stumble over every line You look like you’re enjoying this And your eyes have gone to dollar signs Please spare me your sympathy And your patient understanding I learned your love song years ago Each revision notwithstanding I can show you how sorry I am Please excuse my command overhead I knew what you meant, I’m afraid I forgot what you said I heard you the first time, excuse me while I go drop dead You smash up the living room While I wait out the storm in the attic You shout and you plead with me But I can’t hear you over the static Sometimes, you say, you could strangle me You always had a flair for the dramatic I see your mouth moving but all I can hear is just….
3.
“Don’t be afraid,” Said the six to the seven of spades “When the night is this clear, You can see it from here” The Cherry Estates were all dark But we knew someone else was awake And the moon hung that low and so big it looked fake But the worst part is over now All that’s left is a hole in the ground California’s gone It broke right off and then sank in the ocean Western Nevada just got a promotion today “You couldn’t relate,” Said the seven of clubs to the eight “It was always a scheme, Just a paranoid dream.” We sat on the roof of the house And the wind blew her hair in my face And the smoke rose in a pale imitation of grace But the worst part is over now All that’s left is a hole in the ground California’s gone Broke right off and then sank in the ocean Western Nevada just got a promotion The highways are teeming with calvary clover Give all the young dreamers a chance to start over today
4.
Seventeen dollars in singles in a secondhand purse The loneliness kills you, but somehow the boredom is worse You find yourself telling a story that happened to someone else To a row of blank faces I wonder why you still hang out in these places Maybe the roots you spent years putting down are just vines that won’t let you escape So I don’t want you to stay He leans in and whispers what you have to assume is a joke With his breath full of promise and eyes full of cigarette smoke The chips in your nail polish make them look like someone else’s hands Someone you pity You already kissed every boy in this city Some things you love, some things you hate, but most things are only okay So I don’t want you to stay You can jump and just hover in space Let the earth spin beneath you And softly land in some other place Because something is happening somewhere And I won’t be the one in your way So I don’t want you to stay
5.
Halflight 03:39
Your ribs are a birdcage And your heart is a parakeet It flutters on every beat But you muffle the sound You try to be quiet But your teeth are piano keys Playing Bacharach melodies They spill all over the ground You hide in the heather and wait to be found I saw you in halflight Backlit by a streetlight The way I would film you - At the edge of every frame I have a terrible talent for losing my balance Where anyone can see I don't think anyone would blame you for leaving me You bird is a flyer But the bones are so delicate That I can't help but trample it To hear that wonderful sound And my mouth is a liar In a cheap private eye disguise Plugging holes in my alibis To keep you around I knew that I'd lost you, and looked at the ground I saw you in halflight Backlit by a streetlight The way I would film you - At the edge of every frame I have a terrible talent for losing my balance Where anyone can see I don't think anyone would blame you for leaving me But this time it will be different Can you suspend your disbelief? But I don't think anyone would blame you for leaving me
6.
You struck out, you left alone The worst of the human condition You dug out a cigarette And turned the key in the ignition If you need me to tell you a joke To buy drinks for tonight ‘cause you’re broke Well then pass me a smoke I think that it’s going to rain We’ll sit and we’ll drink and I’ll listen while you complain It turns out he’s one of those I warned you but you wouldn’t listen I won’t say I told you so At least ‘til you give me permission You don’t need to pretend you’re allright I’m not sure it’ll help but it might I’m not being polite I honestly want you to stay Just sit there and listen, there’s something I want to say It’s just so typical That he’d break your heart so carelessly But it’s just so difficult to see How you can close your eyes to all the guys Who’d give you the things that you need Someone for instance like me I’ll be here when you come around Marie It’s no good to be depressed And sit in your drafty apartment You can consider me Your human resources department
7.
How do you know when your real life begins? Who do you root for if you know who wins? When should you give up and when do you fight? When you can’t sleep, what do you do all night? You wonder if somewhere there’s somebody who Would laugh at your jokes and would smell like shampoo She’d keep all your secrets and dry every tear And whisper her confidence into your ear The summer you were seven and you broke your wrist I signed your cast and taught you how to make a fist I never thought that we would end up quite like this But sometimes you know that it’s right I swear you are saving my life My real life is starting tonight
8.
Snow 05:36
I would meet you in the park because we didn’t have any other place to go And I would feel the inches of your skin, the color and the temperature of snow Listing all of our imaginary plans You blew a river of your breath into my hands Snow can sometimes come down pretty quick But no one’s sure if it’ll stick Until it lands With your mother out of town we finally had a place where we could be alone But when I held you in her bed you were as rigid and unhappy as a stone When it was over, I apologized, and you told me I shouldn’t worry And I walked home eleven blocks without a coat and it began to flurry And every flower shop would summon up your scent I wrote your name outside the school in wet cement I thought it would be permanent and pure But I admit that I’m not sure What it meant Time can only go in one direction You can study your reflection And watch the lines grow from the corners of your eyes Memory’s as fickle as the weather Each sound echoes on forever And you know everything and everybody dies So your family moved away and I would write you all those awkward letters And your responses would arrive about a week after you sent them You said you hated your new school, but that your allergies were better It was impossible to know both your position and momentum It was impossible to know both your position and momentum And now you’re just somebody that I used to know And where I wrote your name is buried in the snow Every little thing comes down to chance And shitty luck, and circumstance I should know Time can only go in one direction You can study your reflection And watch the lines grow from the corners of your eyes Memory’s as fickle as the weather Each sound echoes on forever And you know everything and everybody dies Everything and everybody dies
9.
Iodine 05:04
@1977 Cohen/Spector
10.
Here it comes, and there it goes I’m either waiting or missing it Somehow I can’t seem to give a shit When it’s around So long, so long, so long Out on the highway, the lights come on I hear you hum a familiar song The windows rolled down You took out a map, put your head in my lap And said, “pick some place – we can start over. I’ll follow you anywhere.” Here I come, and there I go And if you see me be kind to me Pretend you missed me and lie to me I’ll see you around It isn’t so drastic The heart is elastic Just pick some place we can start over I’ll follow you anywhere So long, so long, so long

about

"East of the Fault Line" was named one of the albums of the year by Greg Kot of the Chicago Tribune and Jim DeRogatis of the Chicago Sun-Times. It also includes the song "Little Charles" from the Tony Award-winning play "August: Osage County".

"Sometimes aging gracefully is the uglier alternative. Raging against the dying of the light may make you the butt of jokes at dinner parties, but at least your name comes up in conversation. David Singer's characters, by contrast, are fading away - hypnotized by nostalgia, exhausted from traveling in circles, and going nowhere. That he sings it all as sweetly and geekily as a middle-school science teacher doesn't make it go down any easier - and when he gets mad, as he does from time to time on the thoughtfully-depressing East Of The Fault Line, it's as arresting as an official reprimand from an authority you figured was too kind to holler at you. "You don't even remember the holes in your heart in time", warns Singer on "Amaranthine", suggesting that we don't overcome our failures - we just rearrange the present so that we don't have to look at them squarely. Not that adulthood comes off much better here: the grown-up romantic relationships on Fault Line are either stunted or unrequited, or some combination of both. When he shows a lover the door, his poetic turn (barely) masks the total extent of his emotional devastation and general disappointment. "You can jump and hover in space", he tells a girlfriend, gently but firmly, "let the earth spin beneath you and softly land in some other place." His discography suggests he's another young writer who is putting an emo-pop background to good classic-rock use: if Singer wasn't such a top-drawer lyricist in the time-tested Costello style, this record wouldn't hurt anywhere near as good as it does. It all builds to "Snow", a five-and-a-half minute remembrance of a failed high school relationship - awkward sex, allergies, meditations on the impermanence of love, names scrawled in wet cement, and ice-cold Midwestern horribleness. Singer's band has two modes, but what evocative modes they are!, legit Blonde On Blonde-style aching grandeur and wrist-slitting Either/Or claustrophobic intimacy. "Snow" combines them both. Just when you think you're set up for a breather, they lay a killer Leonard Cohen cover on you, complete with a berserk trumpet lead and the most scathing vocal performance on the set. Singer's eye for telling detail has probably gotten him compared to Lloyd Cole, and that's okay as a direction - they're both thesaurus-toting believers in the mot juste, and neither one is afraid to depress the hell out of you in the name of good entertainment. But if Cole was ready to be heartbroken, David Singer sounds like he's ready for something - anything - else." - Tris McCall

credits

released March 1, 2008

Produced by David Singer and Balthazar de Ley at Engine Studios, Chicago. Engineered by Balthazar de Ley and Neil Strauch. Addtional recording by DS at Whipple Labs and Strobe Recording, Chicago. Mastered by Bob Weston at CMS. All songs ©2007 David Singer. Administered by The Little Blue Dog Alone ASCAP. All Rights Reserved.
"Iodine" ©1977 Phil Spector/Leonard Cohen, Sony/ATV Songs LLC; ABKCO Music Inc; EMI Blackwood Music Inc. OBO Mother Bertha Music Inc.

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David Singer & The Sweet Science Chicago, Illinois

David Singer is a filmmaker/musician/writer/composer based in Chicago.

His records have found their way onto the Albums of the Year lists of the Chicago Tribune, Chicago Sun-Times, No Depression, Huffington Post, and the prestigious Village Voice "Pazz & Jop" poll.

Greg Kot of Sound Opinions describes David as "one of the city's most evolved pop craftsmen of the last decade.”

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